In true ‘90s underground trend, Dunye enlisted the photographer Zoe Leonard to build an archive on the fictional actress and blues singer. The Fae Richards Photo Archive consists of 82 images, and was shown as part of Leonard’s career retrospective in the Whitney Museum of recent Artwork in 2018. This spirit of collaboration, along with the radical act of producing a Black and queer character into film history, is emblematic of a ‘90s arthouse cinema that wasn’t concerned to revolutionize the previous in order to make a more possible cinematic future.
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“Admit it isn’t all cool calculation with you – that you’ve acquired a heart – even if it’s small and feeble and you can’t remember the last time you used it,” Marcia Gay Harden’s femme fatale demands of protagonist Tom Reagan (Gabriel Byrne). And for all its steely violence, this film provides a heart as well.
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Navigating lesbian themes was a tricky undertaking within the repressed ecosystem with the early sixties. But this revenge drama experienced the advantage of two of cinema’s all-time powerhouses, Audrey Hepburn and Shirley MacLaine, during desi the huge boobs leading roles, as well as three-time Best Director Oscar winner William Wyler on the helm.
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The story revolves around a homicide detective named Tanabe (Koji Yakusho), who’s investigating a number of inexplicable murders. In each scenario, a seemingly everyday citizen gruesomely kills someone close to them, with no enthusiasm and no memory of committing the crime. Tanabe is chasing a ghost, and “Cure” crackles with the paranoia of standing within an empty room where you feel a existence you cannot see.
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